CHARLIE CHAPLIN'S "THE CIRCUS" (1928) NO FURTHER A MYSTERY

They are sometimes yearning romantics, using this type of big difference: Buster appears to be a plausible mate, as well as Tramp rarely seems to have a libido, only idealized notions. If their comedies were built in a far more liberated time, it is possible to imagine Keaton in bed with a girl, but disquieting to consider the Tramp like a sexual b